Narative Objects

This body of work began in deeply personal circumstances — a period shaped by psychological collapse and the social tensions of 2021–2022 in Iran. It was an attempt to rebuild meaning through material, light, and repetition.

But as the project evolved, it moved beyond autobiography. Each form began generating its own narrative of living and transforming. The infinite plasticity of beeswax expanded the work into an open system where meaning is not fixed but continually reformed.
What started as an inner experience has become a space where viewers can locate their own interpretations, independent of mine.